Three Bears
Man, I just can't figure this one out.
I think it's about class struggle, or maybe about guilt of conquest. But then, why the hot/cold/just right business?
I think it's about class struggle, or maybe about guilt of conquest. But then, why the hot/cold/just right business?
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(Anonymous) 2006-03-27 02:15 pm (UTC)(link)(no subject)
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It's about gender roles. Now, this assumes that Mama Bear's stuff is Just Right (which is my memory, but I could be reconstructing the story in my head this way):
If Papa Bear's stuff is too hot/hard/prickly, then men have to deal with it.
Baby bear's stuff is too cold/soft/wobbly, then that's for babies...
... but you're growing up and should fit into your role as Mama bear.
Also, in the Grimm's version, they eat her, don't they? That could be read as "Curiosity killed the cat."
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The Turnip, as told by the Brüder Grimm
Re: The Turnip, as told by the Brüder Grimm
Re: The Turnip, as told by the Brüder Grimm
Re: The Turnip, as told by the Brüder Grimm
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http://www.edsanders.com/stories/3bears/3bears.htm
Seems a pretty straightforward morality play
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But ultimately, it's about a kid going into someone's house uninvited and messing with their shit. Kids do this, and they need to be told not to do it and what can happen to them if they do, in story form. It's pretty obvious that the "message" is "don't go into a person's house and mess with their stuff without asking because it isn't nice and you could be hurt".
If you're asking why the author used X word in X place, and how that unlocks the real meaning of the story, you're overthinking things, you're finding meaningless patterns in the chaos (ala "A Beautiful Mind").
Authors use words and phrases and little snips of life because they are evocative as often if not more than because they have some "hidden" meaning.
Is there some hidden meaning in the whole porridge bit, in the whole bears & girl, and etc. symbolism? Probably not. Can you create a meaning from it by creating patterns of association? Yes.
That doesn't mean the author put it there, however. It is far more likely, by orders of magnitude, that the author chose elements on their aesthetic merits, because the thought interested them, or just for fun, rather than through the use of arcane, usually subjective associative principles.
The proper question to ask, if you want to reproduce things like this, isn't "What does that really mean?" but "Why did that work so well?" because meanings are like ideas: a dime a dozen.